Konstruksi Sosial masyarakat Tehadap Keramik Asing di Bangunan Masjid Panjunan, Cirebon

Main Article Content

Ashar Murdihastomo
Irva Bauty

Abstract

Cirebon was a crowded and famous international port city in the past. Many foreign traders stopped by and even settled in this area. One of their activity was establishing a settlement which is called Panjunan. The settlement in Panjunan has a mosque which is quite interesting and it is known as the Panjunan Mosque. The interesting thing in the mosque is the presence of ceramics that were placed on the walls of the mosque as a variety of decoration. The problem raised on this study was to proof the relationship between ceramics and the mosque in Panjunan based on social construction theory. This question leads to the study to find out the background of the use of ceramics. The process of answering these questions is done by using direct observation, literature review, and data analysis by using social theory as the ground base. The results of this study conclude that the use of ceramics as decorative patterns in the Panjunan Mosque is derived by the paradigm of the community member (artists) who are bound with the Panjunan Mosque in providing new understanding or interpretation of ceramics in Cirebon.

Article Details

How to Cite
Murdihastomo, A., & Bauty, I. (2020). Konstruksi Sosial masyarakat Tehadap Keramik Asing di Bangunan Masjid Panjunan, Cirebon. PURBAWIDYA: Jurnal Penelitian Dan Pengembangan Arkeologi, 9(1), 63–78. https://doi.org/10.24164/pw.v9i1.334
Section
Article

References

Adeng. (1998). Kota Dagang Cirebon sebagai Bandar Jalur Sutra (S. Raharjo, Ed.). Jakarta: Departemen Pendidikan dan Kebudayaan.

Bochari, M. Sanggupri; Kuswiah, W. (2001). Sejarah Kerajaan Tradisional Cirebon (I; G. A. Ohorella, Ed.). Jakarta: CV. Suko Rejo Bersinar.

Brakel, L. F., & Massarik, H. (1982). A Note on the Panjunan Mosque in Cirebon. Archipel. https://doi.org/10.3406/arch.1982.1727

Erwantoro, H. (2012). SEJARAH SINGKAT KERAJAAN CIREBON. Patanjala : Jurnal Penelitian Sejarah Dan Budaya. https://doi.org/10.30959/patanjala.v4i1.130

Hakim, A. (2011). Akulturasi Budaya Bangunan Masjid Tua Cirebon: Studi pada Masjid Kaliwulu, Plered. Jurnal Suhuf, 4(2), 289–314.

Harkantiningsih, Naniek, D. (2019). Arkeologi Natuna: Perlintasan Budaya dan Niaga. Jakarta.

Harkantiningsih, N. (2017). Seni Hias Tempel Keramik Kesultanan Cirebon: Toleransi dalam Kebinekaan. Kapata Arkeologi. https://doi.org/10.24832/kapata.v13i2.442

Harrison, B. (1995). Later Ceramic in Southeast Asia: Sixteenth to Twentieth Centuries. Oxford: Oxford University Press.

Hermana. (2012). Arsitektur Masjid Merah Panjunan Kota Cirebon. Jurnal Patanjala, 4(2), 151–167.

Hermawati. (1992). Fungsi Motif Hias Wadasan Pada Kepurbakalaan Islam di Cirebon Abad XVII-XIX Masehi. Universitas Gadjah Mada.

Idris, M. (2016). Temuan Sejarah Aktivitas Perdagangan Kuno di Desa Durian Gadis Sebagai Sumber Pembelajaran Sejarah. Jurnal Kalpataru: Jurnal Sejarah Dan Pembelajaran Sejarah, 2(1), 79–87.

Jaya, I. B. S. (2017). Pengungkapan Kasus Pelelangan Keramik Kuno di Kawasan Perairan Laut Cirebon Jawa Barat. Badung.

Manuaba, I. B. (2008). Memahami Teori Konstruksi Sosial. Jurnal Masyarakat, Kebudayaan, Dan Politik, XXI(3), 221–230.

Maryone, R. (2009). Fungsi Keramik Cina Bagi Masyarakat Biak. Jurnal Papua, 1(2), 83–91.

Muhaeminah. (2012). Temuan Keramik Asing Hasil Penelitian Arkeologi di Sulawesi Selatan. Jurnal Berkala Arkeologi, 32(1), 39–50.

N.N. (2015). Teori Konstruksi Realitas Sosial, diakses di laman https://dkv.binus.ac.id/2015/05/18/teori-konstruksi-realitas-sosial/ pada tanggal 3 Maret 2020.

Poesponegoro, Marwati Djoened; dan Notosusanto, N. (2010). Sejarah Nasional Indonesia III: Zaman Pertumbuhan dan Perkembangan Kerajaan Islam di Indonesia. Jakarta: Balai Pustaka.